Programme

25 AUGUST, TUESDAY (University of Warsaw, Institute of Musicology)
Time Description
15.00–17.00 Registration I
17.00–18.30 Opening ceremony / Concert I
18.30– Opening reception
26 AUGUST, WEDNESDAY (National Library)
Time Description
8.30–9.30 Registration II
9.30–11.00

Session 1: Latin tradition

Chair: Grantley McDONALD

  • Elżbieta WITKOWSKA-ZAREMBA: Patterns of music education in Central Europe in the late 14th–early 16th centuries
  • Francesco Rocco ROSSI: From Hollandrinus to Florentius Musicus (through Goschalcus): the reception of coniuncta in Italy in the 15th century
  • Bartosz AWIANOWICZ: The Graeco-Latin vocabulary of Petrus Wilhelmi de Grudencz
11.30–13.00

Session 2: Chant

Chair: Jiří KROUPA

  • Veronika MRÁČKOVÁ: Staff notation in the sources of the St George monastery in Prague
  • Eva VESELOVSKÁ: Medieval notations of the Slovakia region’s sources from the turn of the 15th/16th centuries
  • Jolanta BYCZKOWSKA-SZTABA: The Cracovian chants for the feast of St Johannes Elemosynarius (first half of the 16th century) in the context of his worship in Central Europe
11.30–13.00

Session 3: Prussia – 16th century

Chair: Agnieszka LESZCZYŃSKA

  • Stefan GASCH: Senfl’s compositions for Duke Albrecht of Brandenburg-Prussia
  • Christian Thomas LEITMEIR: Teodoro Riccio’s Liber Primus Missarum (1579): a musical ambassador between Prussia and Poland
  • Danuta POPINIGIS: Die Sing-Glocken zu Füßen von König Sigismundus August

lunch break

15.00–16.00

Session 4: Music in monasteries

Chair: Barbara EICHNER

  • James BOYCE, O. Carm.: A medieval tale of two cities: Prague, Kraków and the Carmelite choir books
  • Magdalena WALTER-MAZUR: On how the nuns sang Vespers in fractus - the alternatim practice in liturgical music of Polish female Benedictines
16.30–18.00

Session 5: Expansion of Italian culture

Chair: Elżbieta WITKOWSKA-ZAREMBA

  • Gioia FILOCAMO: The musical taste of Ippolito I d’Este, Archbishop between Hungary and Italy
  • Grantley McDONALD: Laurentius Corvinus and the Hours of the Passion at St Elisabeth’s church, Breslau
  • Reinald ZIEGLER: Zum Transfer von Kompositionstechniken im konfessionsverschiedenen Umfeld am Beispiel Monteverdi
27 AUGUST, THURSDAY (National Library)
Time Description
9.30–11.00

Session 6: Italians in Poland

Chair: Gioia FILOCAMO

  • Donatella MELINI: Alexandro Pesienti Veronese, musicho nostro diletissimo
  • Aleksandra PATALAS: Asprilio Pacelli’s music for the Cappella Rorantistarum at Wawel
  • Julia MILLER: Luca Marenzio: questions of performance in Poland and Italy
11.30–13.00

Session 7: Latin schools of the 15th-century Czech lands and music

Chair: Jacobijn KIEL

  • Jan CIGLBAUER: Neumarkter Cantionale: Geistliche lateinische Lieder um 1470 und ihre Vergangenheit in mitteleuropäischen Handschriften
  • Luboš PROCHÁZKA: Der Kodex Strahov und Budweis um 1470. Zur Frage der Provenienz einer böhmischen Quelle
  • Lenka MRÁČKOVÁ: Das Repertoire des Kodex Strahov. Bemerkungen zur Entstehung eines neuen Kataloges dieser böhmischen Quelle
11.30–13.00

Session 8: Jagiellonian echo in later epochs

Chair: Agnieszka CHWIŁEK

  • Anna RYSZKA-KOMARNICKA: Leonardo Vinci’s Il Gismondo re di Polonia – opera seria with an episode from the reign of King Ladislaus Jagiełło
  • Marco BEGHELLI: Jagiellonians on the rebound: Zygmunt in Italy
  • Teresa KRUKOWSKI: Wie europäisch war das musikalische Repertoire der polnischen reformierten Kirche im 16. Jh. und wie europäisch ist es heute?

lunch break

14.30–16.00

Session 9: Great 15th-century manuscripts

Chair: Lenka MRÁČKOVÁ

  • Ian RUMBOLD: Austrian or Bavarian? Hermann Pötzlinger’s music book (Munich 14274)
  • Helena MATĔJČKOVÁ: An anonymous four part Sanctus in the Codex Speciálník. Some remarks on compositional practice in Bohemia before 1480
  • Tomáš HAMPL: The motets by Josquin and his contemporaries in the Codex Speciálník. On the relationship between the imported and the local repertories
16.30–18.00

Session 10: Iconography and Eastern tradition

Chair: Sławomira ŻERAŃSKA-KOMINEK

  • Łukasz KOZAK: Musical instruments in Polish paintings in the 14th and the 15th centuries: borrowings, endemics and iconographic tradition
  • Dominika GRABIEC: Music in the iconography of the Passion of Christ
  • Oksana SHKURGAN: Seventeenth-century manuscript sources of the partesniy singing which originated in the Polish territory
28 AUGUST, FRIDAY (National Library)
Time Description
9.30–11.00

Session 11: Bohemia – 16th century

Chair: Ian RUMBOLD

  • Jan KOLÁČEK: The graduals of the Prague scribe Jan Kantor Stary: the mainstream of Bohemian Utraquists
  • Scott EDWARDS: Latinizing the laity: metrical psalms in sixteenth-century Bohemia
  • Katelijne SCHILTZ: Roses, alchemy and a garden of canons: the anthology Suavissimae et iucundissimae harmoniae (Nuremberg, 1567)
11.30–13.00

Session 12: Three lands: Lithuania, Croatia, Lusatia

Chair: Marc DESMET

  • Jūratė TRILUPAITIENĖ: Jagiellonian dynasty musical culture of the Grand Duchy of Lithuania: between sacrum and profanum
  • Hrvoje BEBAN: Inter arma (non) silent musae. Renaissance musical culture in Croatia during the reign of the Jagiellon dynasty
  • Thomas NAPP: Cultural transfer and spatiality in early modern Central Europe

lunch break

14.30–15.30

Session 13: Great 16th-century composers

Chair: Katelijne SCHILTZ

  • Marc DESMET: Establishing a chronology of Jacob Handl’s masses. Evidence and problems
  • Tobias APELT: Vorstellung der Datenbank Orlando di Lasso. Seine Werke in handschriftlicher Überlieferung
16.00–17.30

Session 14: Music and diplomacy

Chair: Stefan GASCH

  • Paweł GANCARCZYK: Music and diplomacy at the court of the Teutonic Order in Prussia
  • Elżbieta ZWOLIŃSKA: Einige Bemerkungen zu den musikalischen Beziehungen zwischen dem Hofe der letzten Jagiellonen und dem Habsburgerhause
  • Barbara PRZYBYSZEWSKA-JARMIŃSKA: An overlooked fantasia for instrumental ensemble by Francesco Maffon – a vestige of Paweł Działyński’s diplomatic mission to England in 1597?
19.30–20.30 Concert II (Church of Visitation of Blessed Virgin Mary)
29 AUGUST, SATURDAY (National Library)
Time Description
9.30–11.00

Session 15: Upper Hungary in context of other regions

Chair: Christian Thomas LEITMEIR

  • Jana PETŐCZOVÁ: Musical culture in Bardejov / Bartfeld in the mid-sixteenth century
  • Agnieszka LESZCZYŃSKA: Common musical tradition: connections between Šariš and Prussia ca. 1600
  • Marta HULKOVÁ: Musikhandschriften von der Wende des 16. und 17. Jahrhunderts im Rahmen der Musikaliensammlung von Levoča / Leutschau
11.30–13.30

Session 16: Diversity and unification of repertory ca. 1600

Chairs: Paweł GANCARCZYK / Lenka MRÁČKOVÁ

  • Elżbieta WOJNOWSKA: Zwischen Allgemeinheit und Individualität – Repertoire einiger mitteleuropäischen Musiksammlungen von der Wende des 16. und 17. Jahrhunderts
  • Wojciech MARCHWICA: Sarmatization of the Polish Christmas carol – posthumous success of the Jagiellonian dynastic ideology
  • GENERAL DISCUSSION
14.30

Excursion. Wilanów Palace